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____________. 1991. “Young Warren and the Problematics of Faith.” Mississippi Quarterly: The Journal of Southern Culture 45 (1): 29–39.
____________. 1992a. “Where Ideology Leaves Off: Cowley, Warren, and Faulkner Revisited.” Studies in the Novel 24 (3): 298–308.
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____________. 1997a. “From ’Jack Burden’ to ’I’: The Narrator’s Transformation in All the King’s Men.” Studies in American Fiction 25 (2): 197–210.
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____________. 2010. “The Critical Voice and the Narrative Voice: Robert Penn Warren’s Essay on Coleridge and All the King’s Men.” Mississippi Quarterly: The Journal of Southern Cultures 63 (1-2): 119–133.
____________. 2012. “L’Ecriture géologique de la mémoire dans les romans de Robert Penn Warren.” Cercles: Revue Pluridisciplinaire du Monde Anglophone 23:29–41.
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____________. 2002. “From Gent to Gentil: Jed Tewksbury and the Function of Literary Allusion in A Place to Come To.” rWp: An Annual of Robert Penn Warren Studies 2:65–75.
____________. 2007. “Narrator Myopia in ’Goodwood Comes Back’.” rWp: An Annual of Robert Penn Warren Studies 7:1–10.
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____________. 2017. “Editor’s Foreword: The Need for “Deep Engagement”: Robert Penn Warren, Malcolm X, and Ta-Nehisi Coates.” Robert Penn Warren Studies 10.
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____________. 2006a. “Robert Penn Warren and the Legacy of Robert Frost.” South Atlantic Review 71 (2): 48–67.
____________. 2006b. “Robert Penn Warren, David Milch, and the Literary Contexts of Deadwood.” South Carolina Review 38 (2): 183–191.
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____________. 1996. “’A Special Kind of Complex Eden’: Robert Penn Warren’s Italy.” Southern Quarterly: A Journal of the Arts in the South 34 (2): 65–71.
____________. 2006. “The Warren Family’s 2005 Gift of Audio-Visual Materials to the Robert Penn Warren Collection of the Kentucky Library at Western Kentucky University.” rWp: An Annual of Robert Penn Warren Studies 6:89–94.
____________. 2009. Robert Penn Warren after Audubon: The Work of Aging and the Quest for Transcendence in His Later Poetry. Southern Literary Studies. Louisiana State UP.
____________. 2016. The Language of Vision: Photography and Southern Literature in the 1930s and After. Southern Literary Studies. Louisiana State UP.
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____________. 2001. “Robert Penn Warren and James Farmer: Notes on the Creation of New Journalism.” rWp: An Annual of Robert Penn Warren Studies 1:163–175.
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____________. 2008. “Brooks and Warren in Heaven: A Short Story with Endnotes.” rWp: An Annual of Robert Penn Warren Studies 8:25–32.
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____________. 1983. “Gull against a Crimson Sky: Birds in the Later Poems of Robert Penn Warren.” Southern Literary Journal 15 (3): 11–23.
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____________. 1985. “The View from the Attic: Robert Penn Warren’s Circus Stories.” Mississippi Quarterly: The Journal of Southern Culture 38 (2): 119–135.
____________. 2012. “Not All That Separate: Welty and Warren, Medusa and Perseus.” Eudora Welty Review 4:135–151.
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____________. 2001. “’The World/In Which All Things Are Continuous’: On the Unity of Or Else.” rWp: An Annual of Robert Penn Warren Studies 1:119–142.
____________. 2002. “Warren’s Poetics of Sequence: The Case of Island of Summer.” Style: A Quarterly Journal of Aesthetics, Poetics, Stylistics, and Literary Criticism 36 (2): 271–291.
____________. 2006. Ghostly Parallels: Robert Penn Warren and the Lyric Poetic Sequence. U of Tennessee P.
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____________. 1989. “Robert Penn Warren and the ’Burden of Our Time’: Segregation and Who Speaks for the Negro?.” Mississippi Quarterly: The Journal of Southern Culture 42 (2): 115–128.
Ryan, Steven T. 1993. “World Enough and Time: A Refutation of Poe’s History as Tragedy.” The Southern Quarterly: A Journal of the Arts in the South 31 (4): 86–94.
____________. 2001. “Warren’s Audubon and Coleridge’s ’Kubla Khan’: Two Visions.” rWp: An Annual of Robert Penn Warren Studies 1:103–118.
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____________. 2000. “The Terrible Distance: Robert Penn Warren’s (Unwritten Story) of Romantic Love.” Lamar Journal of the Humanities 25 (1): 5–22.
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____________. 1970b. “Robert Penn Warren’s ’Prime Leaf’ as Prototype of Night Rider.” Studies in Short Fiction 7:469–471.
____________. 1971. “Sugar-Boy as Foil in All the King’s Men.” Notes on Contemporary Literature 1 (2): 15.
____________. 1973a. “Robert Penn Warren’s Audubon: A Vision: The Epigraph.” Notes on Contemporary Literature 3 (1): 8–11.
____________. 1973b. “Toward an Analysis of the Prose Style of Robert Penn Warren.” Studies in American Fiction 1:188–202.
____________. 1973c. “Warren’s All the King’s Men: Using the Author’s Guide to the Novel.” English Journal 62:704–708.
____________. 1974. “The Faintest Praise: Using the Unfriendly Critic.” College English 36 (1): 86–89.
____________. 1980. “Robert Penn Warren the Novelist, Now (and Then).” Southern Literary Journal 12 (2): 83–96.
____________. 1981a. “’Clean Hands and Pure Heart’: Hugh Miller in Robert Penn Warren’s All the King’s Men.” Notes on Contemporary Literature 11 (3): 3–5.
____________. 1981b. “The Great American Polymath.” Mississippi Quarterly: The Journal of Southern Culture 35 (1): 53–59.
____________. 1985. “Chief Joseph, General Howard, Colonel Miles: The Context of Characterization in Warren’s Chief Joseph of the Nez Perce.” Mississippi Quarterly: The Journal of Southern Culture 39 (1): 21–29.
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____________. 2009. “George’s Folly: Robert Penn Warren’s Use of the Double in All the King’s Men.” Hungarian Journal of English and American Studies 15 (2): 321–327.
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____________. 2008. “The Box, the Glittering Strings, and the Unbearable Hillbillyness of Being: Warren’s The Cave, Country Music, and Vanderbilt Fugitive-Agrarianism.” rWp: An Annual of Robert Penn Warren Studies 8:9–24.
____________. 2009. “For Whom the Flood Rolls: Ernest Hemingway and Robert Penn Warren-Connections and Echoes, Allusion, and Intertextuality.” North Dakota Quarterly 76 (1-2): 7–21.
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____________. 1994. “Robert Penn Warren and the Classical Tradition.” Mississippi Quarterly: The Journal of Southern Culture 48 (1): 17–28.
____________. 1995. “Brother to Dragons: Poem/Play/Film.” The Southern Quarterly: A Journal of the Arts in the South 33 (2-3): 187–196.
____________. 2001. “Whatever Happened to ’You’?-A Poetic Odyssey.” rWp: An Annual of Robert Penn Warren Studies 1:143–161.
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